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Imerging Of Bhojpuri cinema
That lurid pink cover, couples in garish clothes and the title were very inviting. I dug into Avijit Ghosh’s Cinema Bhojpuri gleefully. I have enjoyed his writings on non-Hindi cinema, especially from North India, for many years now. That, however, is not the only reason this book is welcome. Bhojpuri is now emerging as one of the most important languages in the business of media and entertainment. But there is very little written material on it. So, it is nice to see a book from someone who has tracked this genre.
Ghosh, a senior assistant editor with The Times of India, takes you through the beginnings of Bhojpuri cinema right from the time the first film was conceptualised. Nazir Hussain, who most of us will remember as the priest in Manmohan Desai’s Amar Akbar Anthony, produced India’s first Bhojpuri film — Ganga Maiya Tohe Piyari Chadhaibo. It all began because of a meeting that Hussain had with the then president Rajendra Prasad at a film function in Mumbai. Both discovered that they were Bhojpuri-speaking and bonded. At some point in the conversation, Dr Prasad asked Hussain why he didn’t make a Bhojpuri film and Hussain, who had always wanted to do it, decided to give it a shot.
Ganga Maiya Tohe Piyari Chadhaibo is a rural tale of love and sacrifice set firmly in the local milieu, with folk songs and music from the region. It went on to become a silver jubilee success, grossing Rs 75 lakh. It also became a symbol of regional pride, says Ghosh. It was followed by Bidesiya and Laagi Nahin Chute Ram .hat, however, is not the only reason this book is welcome. Bhojpuri is now emerging as one of the most important languages in the business of media and entertainment. But there is very little written material on it.
Ghosh, a senior assistant editor with The Times of India, takes you through the beginnings of Bhojpuri cinema right from the time the first film was conceptualised. Nazir Hussain, who most of us will remember as the priest in Manmohan Desai’s Amar Akbar Anthony, produced India’s first Bhojpuri film — Ganga Maiya Tohe Piyari Chadhaibo. It all began because of a meeting that Hussain had with the then president Rajendra Prasad at a film function in Mumbai. Both discovered that they were Bhojpuri-speaking and bonded. At some point in the conversation, Dr Prasad asked Hussain why he didn’t make a Bhojpuri film and Hussain, who had always wanted to do it, decided to give it a shot.
Ganga Maiya Tohe Piyari Chadhaibo is a rural tale of love and sacrifice set firmly in the local milieu, with folk songs and music from the region. It went on to become a silver jubilee success, grossing Rs 75 lakh. It also became a symbol of regional pride, says Ghosh. It was followed by Bidesiya and Laagi Nahin Chute Ram .hat, however, is not the only reason this book is welcome. Bhojpuri is now emerging as one of the most important languages in the business of media and entertainment. But there is very little written material on it.
